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Woman King came in ahead of expectations (tracking had suggested it would open with $15 million to $18 million, although Sony had said only $12 million). The all-female, Black-led movie started off with $6.85 million Friday, including $1.7 million in Thursday previews.
From Sony’s TriStar division and eOne, the historical epic is directed by Gina Prince-Bythewood from a script by Dana Stevens and based on a story by Maria Bello and Stevens about the Agojie, an all-female army in the West African Kingdom of Dahomey in the 18th and 19th centuries.
The film skewed female and older. Women made up 58 percent of all ticket buyers, according to exit-polling service PostTrak. Black moviegoers made up 56 percent of the audience, followed by white moviegoers (23 percent), Latinos (15 percent) and Asian or other identified moviegoers (6 percent).
The film received rave reviews from its world premiere at the Toronto Film Festival on Sept. 9. It presently boasts a 93 percent critics’ rating on Rotten Tomatoes.
Woman King cost a reported $50 million to produce, excluding marketing and distribution spends. Thuso Mbedu, Lashana Lynch, Sheila Atim, Hero Fiennes Tiffin and John Boyega also star.
Elsewhere, two specialty movies opted to open wide due to a dearth of event pics aside from Woman King: A24 and Ti West’s horror-slasher prequel Pearl, in which Mia Goth reprises the role as the titular character, and Searchlight’s whodunit See How They Run.
Pearl grossed $3.1 million from 2,935 theaters to tie with See How They Run, which likewise grossed $3.1 million. Both received a so-so B- CinemaScore. See How They Run‘s ensemble cast includes Adrien Brody, David Oyelowo, Sam Rockwell, Saoirse Ronan and Ruth Wilson.
Neon opened Brett Morgen’s David Bowie biopic Moonage Daydream in a special Imax run. The film, which made its premiere at the Cannes Film Festival, grossed $1.2 million from 173 runs for a projected location average of more than $7,000, the best of any film this weekend and enough to come in No. 10. Overseas, the biopic earned another $350,000 from select markets.
Elsewhere, Fathom and Lionsgate, extended special screenings of Kevin Smith’s Clerks III in 830 theaters for a projected weekend gross of $565,000 range for a total cume north of $2 million.
Falling outside the top 10 was Running the Bases. The faith-based, indie film launched to $505,000 from 1,080 theaters.
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